In 2005 in New York I conceived of an algorithmic and purely electronic work that exists in 3 time zones simultaneously. I would create this live in front of a remote audio-only audience by constantly modulating random streams that were to be fed into the TX7, a keyboard-less version of a vintage 1983 digital synthesizer, the Yamaha DX7.
|Catalog No:||FLX22 (LN84)|
|Sound Artist:||Rojo and Crest|
|Visual Artist:||Nina Schneider